I’ve been thinking a lot about setting lately — how certain settings in novels come alive . . . and how describing setting has sometimes been a struggle for me.
I tend toward blank room syndrome: placing characters in a seemingly blank room and calling “action.” Instead, I desire the richness of setting attached to many of my favorite novels. Sometimes a setting itself is almost a character, acting and challenging the protagonist and others or mentoring them in some way.
Different settings evoke a different tone, emotions, sensations, thoughts, tension. Consider your own immediate reaction to the following locations, all from well-known stories:
(From The Chronicles of Narnia, The Hunger Games Trilogy, Percy Jackson and the Olympians, Peter Pan, Harry Potter, Twilight series, and The Wizard of Oz)
Just reading those names and pausing for a moment, we can imagine ourselves there. The worlds are fleshed out, seemingly real, though only imaginary.
But the same world-building occurs even in contemporary fiction. For instance, the world from Dairy Queen*, a novel about a small-town teenage girl growing up on a dairy farm, is quite different from the world of privileged teenage thief Katarina Bishop in Heist Society*. We all live in a distinct world of some sort of other, and authors bring us into a character’s world when they effectively paint that picture through description, dialogue, and a character’s perspective.
If you’ve read the following, you may also have an immediate reaction to these contemporary “worlds”:
Hazel Grace’s support group room (The Fault in Our Stars by John Green)
Paris boarding school (Anna and The French Kiss by Stephanie Perkins)
The town of Rosewood (Pretty Little Liars by Sara Shepard)
Camp Green Lake (Holes by Louis Sachar)
So why has this all come to my mind lately? Two reasons. One, because I’ve been reading through The Gallagher Girls series by Ally Carter, and the girls’ spy school is a rich setting that tells so much about the main character’s life. And two, because I was writing a scene last week in which my own main characters attend the Houston Livestock Show and Rodeo, and I pondered how to describe the building where animals are on display. So I asked myself:
What does it look like? It’s sort of like an indoor barn.
What does it smell like? Like hay and livestock.
What does it sound like? Like a bunch of animals and crowds milling around.
What are people wearing? Everything from all-out cowboy gear to t-shirts and shorts.
Notice how all of my original answers pretty much assumed my readers had been in a barn or around livestock or seen cowboys. Because that’s a world I’ve lived in! I had to regroup and think about how to explain it all to someone who’s maybe never seen a cow milked or a rodeo event or a parking lot carnival or real (not stereotyped) cowboys. Because I want that scene to come alive, to make them feel what it’s like to attend the world’s largest livestock exhibition.
Such setting attention enhances a story, draws the reader in, and deepens the characterization. And it’s worth my effort as an author.
Now what other efforts have I put in this week regarding writing? Here’s my weekly update for A Round of Words in 80 Days:
1. Finish editing Sharing Hunter, young adult contemporary novel. Six chapters done, which I consider good since I didn’t have as much time to work this week with registering kids for school and enjoying some last-hoorah summer activities with the family.
2. Edit, polish, and release two more short stories in my Paranormal Playground series. Still aiming for September releases after #1 is finished.
3. Read 12 books. I read 2k to 10k: How to Write Faster, Better, and More of What You Love by Rachel Aaron and Don’t Judge a Girl by Her Cover and Only the Good Spy Young by Ally Carter (a wonderful series, with a unique setting of a girls’ spy school). I started a couple of other books, but sadly abandoned them. All in all, I’ve now read 9 books this round.
4. Attend RWA Conference and Day of YA in San Antonio and follow-up as needed. Waiting on feedback on my query for those who requested a manuscript at agent/editor meetings.
So what stories have impacted you with a rich setting? What locations or cultures can you easily imagine after reading about them? And how was your week?
*Dairy Queen is by Catherine Gilbert Murdock, Heist Society is also by Ally Carter